Demetri Martin—a 35-year-old stand-up comic and occasional Daily Show
correspondent—has turned his smart and witty routine into a decent show with a funny
premise and a lot of promise. But it hasn’t yet hit its stride.
Each of the first two episodes features stand-up, sketches and music on a different
“important thing.” Some of the bits are almost Monty Python-esque in
their absurdity. There’s no rhyme or reason to each segment, other than the tenuous (at
best) connection to the episode’s theme. Martin’s jokes are generally quips and
one-liners.
The show sometimes spends too much time on a segment, turning a funny sketch into an
unbearable one. (This is what we’ll call The Family Guy Principle,
though Martin’s original jokes are much funnier.) There’s also a lot of filler. Some of
the little video clips or mini-sketches aren’t too long, but they’re almost universally
unfunny and boring. Both episodes I’ve seen—“Timing,” which airs tonight, and “Power,”
airing next week—could’ve been much tighter. They both suggest that the show’s writers
ran out of material after about 18 minutes, and then plopped these in to stretch out the
episode.
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That’s quibbling, though, as the first two episodes often do deliver. “Power” even has
Martin making a successful Milli Vanilli joke—which in 2009 is right up there with cold
fusion in terms of difficulty.
Important Things is one of the stronger comedy debuts television has
seen in a while. Martin’s comedy has always been deceptively smart; with just a little
work his show could surpass anything he’s done in stand-up.